Well, this is awkward.
Between moving to a new place, hating the internet, and trying to understand the relationship between my identity vs photography, I accidentally took a hiatus from the newsletter. I don’t know why I need to justify myself to you - no one cares!
To ease myself back into this bouquet, I thought I might continue writing about my path in photography, and less about myself (roll eye). At least, I’ll try.
The year was 2013 and my parents had recently bought me a Canon 550D. It was also the last year of high school and I should’ve probably been more worried about the final exams. But at that point, dear reader, I didn’t give a shit.
In a weird turn of events, I got a job as an assistant photographer at a concert venue. To my mind, I was already such a pro (lol), but managing to take one good photo proved to be extremely challenging. I didn’t get my settings in time, didn’t have the right gear, didn’t have the guts to maybe throw some elbows.
On the plus side: free concerts and tons of experience. A few friends. A musician boyfriend too many.
I took photos for the whole duration of the show, which was probably unnecessary. I would also find myself being more interested in what was happening in the audience.
Concert photography is tough. It’s not a genre I excelled at. I believe it takes a different personality and greater attention to technique. As a photographer, I’m all about intuition.
My short-lived career as a concert photographer ended in the summer of 2014, and I believe that by the end I was an overall better photographer. For that, I am grateful.
Do you have a favourite concert photographer? I’ve been enjoying Zachary Gray’s photos for Paramore. By the way, if Paramore is reading this, I’m ready to dedicate the rest of my days to concert photography if I can take your photo.
See you next time!
As always, thank you for being here.
Hey we DO care! And I’m glad you are back to Bouquet. Keep sharing your photography journey. I love reading artist stories.